Happy New Year

 

2024 is here. Time to reflect on last year and set some goals for next year.

In my second year of retirement, it was challenging to carve out writing time, but scheduling writing days with writer-friend Laura has helped a lot. I finished the first draft of Periphery, got it out and back from beta readers, and I am making great progress with the final draft. The sneak peak of the cover art came in just before the new year, and that is so exciting! Kudos to Erin Ruffino, and now it gets handed off to Aaron La Porta for cover design while Erin works on the map for the inside.

I had three very successful author signings, two with the Dollars for Scholars event at Sweet Home High School and one with the Buffalo Historical Society.

I joined Buffalo Niagara Children's Writers and Illustrators and have attended most of their meetings. I am still meeting monthly with my writer's group. And I attended an inspirational writers' retreat in Rochester this summer.

So, overall, I call it a successful year. Although the initial plan was to have Periphery out in 2023, I think it will be a better read for the time spent crafting it.

So, what are the goals for 2024? First and foremost, get Periphery into the hands of readers. After that, a sequel to Periphery might take over, although I did start working on a ballet story for middle grades while my manuscript was with beta readers. I also have a short story in the works, which I think I might try to get entered into some contests. I would also like to add a couple more signings to the schedule this year. 

Here's to 2024 and staying focused!

Publishing Series: # 14 They Will Judge!

There is an old saying, "Don't judge a book by its cover." But they will. Your cover is your book's best advertisement.

At this point in the publishing process, thought should be given to your cover. There are many options. If you are using KDP or a similar independent venue to publish, you will have to figure out how to produce a cover. There is help on the KDP website to pull together a cover on your own, but you have to be realistic with yourself. Do you have the talent to produce a good cover? You can also search the web for people from whom you can purchase cover making talents. You can purchase art and do the layover of the type yourself.

Sometimes you know a talented friend. This was my luck. My first two covers were designed by Aaron La Porta, who is a professional graphic designer. He was knowledgeable about computer layout, so that he could help me produce a cover that fit into the dimensions required by the program.

For my latest project, Periphery, I am embarking on a new venture, which is truly exciting. I will be working with artist Erin Ruffino. This is a totally new experience for me. Erin will be producing the art for the cover and, hopefully, Aaron will once again be adding the graphic elements to produce the cover. Erin and I met virtually last week and began talks so that she could begin to see the characters and fantasy world I've spent two years creating. She is an amazing artist and I can't wait to see the results, but I expect it to be quite a process. I'll keep you posted!

Ready for Proofing!

The final cover of Relic has arrived!

I think it is absolutely fantastic! So many thanks to talented graphic designer Aaron La Porta for capturing the setting and mood of my first middle grade novel.

You can’t see the back of the cover, but here is the text:

      For twelve-year-old Samantha Whitaker, her parents’ dream of running an inn in the country, which she calls “the Ick,” is pure torture.

     After purchasing a strange item in an antique shop just to annoy her mother, Samantha makes a desperate attempt to flee the small village by stealing her parents’ car—only to crash it when an odd village girl darts in front of her…then disappears.

     Despite Samantha’s resistance, a local girl named Twyla befriends her and aids her in looking for the missing girl. Her search leads Samantha to learn about a famous former occupant—village benefactor, patron of the arts, and suffragette Olivia Ainsley Wagner Roth—who, according to the previous owner, still haunts the inn.

     An unusual relic, a hidden diary, an unfinished letter. Will Samantha’s supernatural sleuthing bring answers to a village mystery that has strange parallels to her own life?

I’m hoping it all piques your interest in Samantha Whitaker and her experiences.

I’m learning it takes time and patience for all the pieces of a book to pull together. The next step is ordering proofs to be red-penned in a final read before publication.

Soon after, Relic will be available on Amazon. Several book signings are already in the planning stage, so stay tuned!

Sneak Peek

So much in life is worth waiting for.

I had an awesome surprise Monday morning when I opened my email and found the first draft of my cover for Relic! I am only giving you a sneak peek because it is just a draft, but I am so excited! What you see is only a teeny piece of the whole cover.

It really is more than I could have hoped for. The artwork of the mansion perfectly depicts the setting of the novel. I love the color scheme and the dramatic lighting – and, according to my cover designer, Aaron La Porta, there are possibly more dramatic effects to come if I approve them.

On my end, the map to supplement the text is done, and the floor plans of the mansion are about half done.

This baby may be out by the end of August, yet!

 

So Many Decisions

"It’s never too late to be what you might have been."

                                             -       George Eliot

 

I’m sorry that I haven’t been around, but remember my first job is teaching. The end of the year is a busy time.

I have squeezed in some time to play with the page layout of

Relic – just enough to make me anxious and excited to get rolling full speed. I’ve had time to play with font styles for chapter numbers, chapter titles, and possible drop caps.

I’ve realized my paragraph indents are too big for a small page. I’ll have to hand adjust each one unless I can find a quicker fail-safe way. I’ve also started to drop in photos at the beginning of each chapter, but that has only impressed upon me how many more photos I have to take.

Plus I have to find time to finalize the map of Willowbend and the floor plan of Hydrangea Hall. I’m spending a lot of mental time trying to figure out what style I want them to be. Should they look like a young person drew them? Should they be a pencil sketch? Marker and water color? Should they be child-like, or drawn by a person with some artistic talent?

So many decisions to be made….

I can’t wait!

Next Steps

Now that Relic is written, I fear the real work has begun!

I’m working on a final edit. After that I plan to read the entire manuscript aloud to check for any final tweeks. Then it’s all about laying out the inside pages with my photography at the start of each chapter. I’m going to use a marketing person to write a blurb for the back cover. I need to worry about ISBN numbers and Library of Congress numbers and dedications and acknowledgements.

While I work on preparing the inside of the book, I’ve engaged the services of graphic artist Aaron LaPorta to design the cover. I’ve sent him a summary and my author’s notes for an initial direction. He’s great at the work he does for the Buffalo Bills, so I’m sure he’ll do a terrific job. I’m really excited about how he’ll imagine my book for me.

I’d love Relic to hit the market by August, but I don’t know if that’s realistic!

 

The Quest Begins

I spent Friday on a quest – to begin compiling the art work for Relic. I knew what I needed. I’ve pictured this book in my head for a long time. I needed a photo for each chapter. Some I knew I could stage closer to home, but others needed the authenticity of a small village. I also needed a map of Samantha’s new village for the front inside cover and a floor plan of a house for the back inside cover.

Armed with my shot list, my camera, a sketch pad, a pencil and my manuscript, I headed out early for the village that inspired the setting of Relic. I started at the historian’s office – the one that actually inspired the historian’s office that Sam and Twyla visit. Historians have got to be some of the best people out there. A major shout out to local historians Doris Bannister and Doug Norton, who went out of their way to help me fill in gaps in my memory and may have even given me a idea for book number three!

After gathering information from Doris's files, I continued to the center of the village that inspired the setting of Relic. This is where the bulk of my work would have to be done. I drove through and sketched the village, took a couple photos of the village including the Middlebury Academy and some nice gingerbread houses.

Now, combined with some other photos in my files and a few more to be taken locally, I’m ready to start preparing the manuscript for publishing!